Colour Me Brightly! Understanding Light in Interior Design. Part III: Patterns from Opaque Materials
Professional interior designers are expertly trained in the use of lighting features to create breathtaking outcomes. In this four-part series which I call “Colour Me Brightly: Understanding Light in Interior Design,” I draw on my expertise in London’s interior design community to explain this fascinating subject. This third article talks about how to create patterns using opaque materials.
The second way for an interior designer to generate light-based patterns entails opaque surfaces, which reflect light back into a room. This pattern creation method is more sophisticated and can be fine-tuned for stunning interior design effects. Light portrayals impact how we realize a surface and its texture. For example, the “standard” technique usually seen in London residences simply entails casting a gentle play of light across a wall. The light brushes the fittings, causing the wall to appear even, flat and two-dimensional. Some top London Interior Designers know that their clients crave far more drama and stylistic nuance. In such instances, placing lightwell fillings extremely close to the wall and angling them downwards can be really striking. Making use of this technique, interior design consultancies can transform the previous gentle wave into an enunciated designer style, as the photons shave the surface and construct to form sturdy optical patterns, such as top-level arcs and dramatic textures. A sharper, a lot more laser-like focus will only make the pattern more conspicuous – recreating a look that is common in many trendy London nightclubs.
The direct counterpoint to this interior design method entails the use of close-offset uplighting. With this approach, floor-level filaments trigger the eye to move up vertical columns of light which dance across the wall to form puddles of dappled reflected light on the ceiling. Professional London interior designers usually work alongside colour consultants to make certain that the result has practical relevance as well as aesthetic appeal. In certain, some newer London residences often have uncomfortably low ceilings. Interior designers can use this lighting approach to draw attention to the vertical plane of the wall, thereby counterbalancing the hemmed-in feel of the low ceiling.
In the next and final article in this series referred to as “Colour Me Brightly!” I will finish by revealing some top lighting ideas from London’s interior design community.